The wind suits Nico Dockx well. The wind whirls around, it is free. Nobody owns the wind. Nobody can keep it. It touches everybody individually and everything in particular. That is what art for Nico Dockx can be. Soft as a breeze, or risky as a hurricane. Nico Dockx (born 1974) works as a visual artist, curator, publisher and researcher with a fundamental interest in archives. His interventions, publications, texts, soundscapes, images, installations, performances and conversations -- which are usually the result of collaboration with other artists -- embody the relationship between perception and memory, which he interprets differently each time. His work has won him a DAAD grant in Berlin (2005), and various prizes like Le Prix Jeune Peinture Belge - the Emile & Stephy Langui prize (2009, together with Helena Sidiropoulos). Since 1998 he has exhibited his work at home and abroad and has published more than forty artist's publications with his independent imprint Curious. He is co-founder of interdisciplinary projects such as Building Transmissions (2001-2013), Interfaculty (2007-…), Extra Academy (2010-…, together with Steve van den Bosch), A Dog Republic (2012-…), and la Galerie Imaginaire (2015-…, together with Sébastien Delire). He collaborates with LIGHTMACHINE agency.Together with Louwrien Wijers, Egon Hanfstingl and many other collaborations, he has been working on his PhD project The New Conversations at the Royal Academy of Fine Arts Antwerpen and which he obtained in 2014 at CAC Brétigny upon invitation of curator Pierre Bal Blanc. He also co-organized with Pascal Gielen the summer schools Mobile Autonomy (2015) and Making Public Domain (2017) with accompanied books by Valiz Publishers Amsterdam.